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In Azerbaijan, carpets are found everywhere: on the walls and floors of homes and restaurants, displayed in piles outside souvenir shops and scattered on abandoned cars parked roadside. Some are woven (编织) for special occasions: births, weddings, birthdays and burials. Weaving techniques are passed down from generation to generation — and each carpet has a unique story to tell. They’re such an artistic phenomenon that in 2010, UNESCO included traditional Azerbaijani carpet weaving onto the Representative List of the Intangible Cultural Heritage of Humanity.

In the country’s capital, Baku, lies the Azerbaijan National Carpet Museum. The museum was founded in 1967 by renowned artist and carpet weaver Latif Karimov, who dedicated his life to celebrating and preserving Azerbaijani carpets. It was, at the time of opening, the very first museum of its kind. It has been standing in its current location since 2014 and serves as a vital research and education center.

A short distance from the museum, in Baku’s UNESCO-listed Old City, is Azerkhalcha, an organization dedicated to preserving the age-old tradition of carpet weaving and supporting the women who devote their lives to it. One of them is 61-year-old Sevinj Hajiyeva, who was taught how to weave by her brother when she was just 6. “Carpet weaving is not just an art; it’s a great passion, a source of love, and a lifelong companion,” she says. “My greatest ambition is to pass on this art to the younger generation.” For Sevinj, weavers in Azerbaijan often share emotions and ideas through carpets, “treating them as cherished creations similar to their own children.”

For some, home is where the heart is. In Azerbaijan, however, the saying goes, “xalçam harada, yurdum orada” meaning “ ▲ ” Azerbaijan’s love affair with carpets is an inextricable one — a much-loved art form that’s been woven into its cultural DNA since the Bronze Age and sincerely preserved ever since.

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1.Which of the following best describes carpets in Azerbaijan?

A Costly.

B Essential.

C Creative.

D Ambitious.

解析：选B。B 推理判断题。根据第一段中的描述“carpets are found everywhere”“Some are woven (编织) for special occasions: births, weddings, birthdays and burials.”以及“They’re such an artistic phenomenon”等可知，阿塞拜疆的地毯是必不可少，非常重要的。故选B。

2.What can be learned about Azerkhalcha from the text?

A It was founded by carpet weaver Sevinj Hajiyeva.

B It serves as a vital research and education center.

C It aims to protect carpet weaving and carpet weavers.

D It is a UNESCO-listed organization near the museum.

解析：选C。C 细节理解题。根据第三段中的“Azerkhalcha, an organization dedicated to preserving the age-old tradition of carpet weaving and supporting the women who devote their lives to it.”可知，Azerkhalcha是致力于保护古老的编织地毯的传统和为之奉献一生的女性地毯编织人。故选C。

3.Which sentence can be put in the “ ▲ ” in the last paragraph?

A Wherever my carpet is, that’s where I live.

B Carpets are always in good supply when needed.

C My love for carpets has nothing to do with others.

D Wherever the carpet comes, it’s not superior to mine.

解析：选A。A 推理判断题。根据空白处所在句的前一句“For some, home is where the heart is.”对一些人来说，心在哪里，哪里就是家；结合however表示对比可知，阿塞拜疆的俗语“xalçam harada, yurdum orada”表示与前一句类似的含义，即“我的地毯在哪里，我的家就在哪里”。故选A。

4.Which is a suitable title for the text?

A The Azerbaijan National Carpet Museum is valued.

B Azerbaijan has a new UNESCO-listed artistic form.

C Female carpet weavers in Azerbaijan are respected.

D Carpet is the highest order of art in Azerbaijan.

解析：选D。D 主旨大意题。本文主要描述了阿塞拜疆地毯在该国的重要性，甚至阿塞拜疆传统的地毯编织艺术已经入选联合国教科文组织非物质文化遗产，因此D项“地毯是阿塞拜疆最高级别的艺术品”符合本文主旨。故选D。